Problem Set
NBPhO 2026
2. Lissajous Bridge 6 pts
Find the on-screen amplitude of the -channel signal at the slider position that collapses the oscilloscope Lissajous trace into a line segment.
Overview
The circuit is an AC bridge, observed not with a galvanometer but with an oscilloscope in – mode. Two filter branches sit in parallel between and :
- a series (low-pass), with the inter-element node ;
- a series (high-pass), with the inter-element node .
A potentiometer between the same two terminals gives a continuously adjustable real reference voltage , with both probe channels referred to as the common ground:
Two simple ideas drive the whole problem:
- A Lissajous figure degenerates into a line iff and are in phase (or anti-phase). Equivalently, the complex ratio must be real.
- The slider’s role is to be real. is in phase with the source , while and are complex (each delayed by an or filter). Subtracting an adjustable real number from each is exactly what one needs to bring two phasors into alignment — like nulling a Wheatstone bridge with a variable resistor, but in the complex plane.
The line-segment condition will turn out to be a frequency-independent constraint on the components ( for the given slider position), while the slope depends on the actual driving frequency through the dimensionless parameter . The voltage we are asked to find, , is just the half-extent of the visible line segment along the screen’s -axis.
Phasor representation
Take as ground and let the source amplitude be real (this only fixes the global phase reference). With and , the two filter nodes are ordinary voltage dividers between a resistor and a reactive impedance:
The slider, looking at the figure, divides in the ratio from (left) to (right). The potentiometer is a uniform resistor carrying a current driven by , so its voltage drops linearly with arc length:
Crucially is purely real — the slider does not change phase, only amplitude. This is what makes the bridge nullable.
The two oscilloscope phasors
Both have the source amplitude pulled out front, the same factor from the slider position, and a complex factor that carries all the frequency dependence.
The line-segment condition
A Lissajous figure traced by is in general an ellipse. It collapses to a line iff and are in phase — equivalently, iff the complex ratio is real. Form
Multiplying out the brackets,
So writing , , ,
For this to be real, multiply numerator and denominator by and read off the imaginary part of the new numerator:
Since , the factor never vanishes. The line condition therefore reduces to
In dimensional form,
Why this is a Wheatstone-bridge balance
The balance condition is frequency-independent — has dropped out. This is the AC analogue of the classical Wheatstone null. To see the analogy, note that the line condition is
Reading as a “tap” between the two impedance ladders, the balance reads
with the slider position controlling the proportionality constant. For , the ratio works out to . For a general slider position , the line condition becomes , which is what one would adjust the slider to achieve in practice. Here the experimental observation feeds directly back to .
Educational remark — what the slider really does
Without the slider, and each have phases set by an or section, and these phases generally differ; the Lissajous is then an ellipse fixed by the circuit. Sliding adds a real offset to each phasor — equivalent to translating both and in the complex plane along the real axis by the same amount. Two phasors that are not collinear with the origin can be made collinear with the origin by such a real translation iff their imaginary parts are proportional to one specific real translation (the slider position). That is the content of the calculation: only one slider position exists, in general, for which the figure straightens.
The slope of the line
With , the imaginary parts of numerator and denominator both vanish (each contains ). The remaining real ratio is
This real ratio is, by construction, the slope of the line on the oscilloscope:
Physical reading of the slope
Two limits are immediate:
- (low frequency, ): , so .
- (high frequency): , so .
So the slope is always negative and bounded:
Why negative? At low frequency the capacitor is open-circuit-like, so , almost equal to ; correspondingly (positive). At the same low frequency the inductor is short-circuit-like, so and (negative). So in this limit, and continuity (plus the no-zero-crossing of the ratio across ) keeps it negative throughout. The high-frequency limit just swaps the roles of and and gives the mirror-image bound.
The fact that varies continuously between and as the frequency is swept means the experimentalist can read the frequency off the slope once the bridge is balanced — that is the practical use of the device.
Amplitude of
The voltage between and is precisely the -channel signal:
Take its modulus:
We need this in terms of the given angle , not the unknown frequency parameter . From the slope formula,
Substituting,
The radicand is positive because, as we saw, is necessarily negative; equivalently,
Geometric reading
The whole Lissajous line segment, as the source goes through one cycle, spans along and along :
So is the projection of the line segment’s half-length onto the -axis — exactly what one would measure on the screen by reading off the -extent of the bright trace.
Sanity checks
- Range of . As runs from to , runs monotonically from to . From the boxed formula: at , and ; at , and . ✓
- Direct check at . Then and the boxed formula gives . From the original: , so . ✓
- Dimensions. is dimensionless; is a voltage; is therefore a voltage. ✓
- (slider at ). Then — a standard low-pass amplitude. The boxed formula does not apply in that case because the line condition itself collapses to a different relation; it is specific to the experimentally observed slider position .
Educational remark — why the slider’s ratio matters quantitatively
The factor of in front of is precisely , the fraction of the source amplitude on the side of the slider, with . Had the slider divided in ratio (slider at the centre, ), one would repeat the algebra with and find a balance condition (rather than ), and a prefactor of rather than . The ratio is therefore not just a number to plug in — it sets both which circuit can be balanced and the overall amplitude of the visible -signal.
Summary of results
| Quantity | Result |
|---|---|
| Line-segment (balance) condition | |
| Slope of the line | |
| Voltage between and |
One sentence to take away. Adjusting the slider at a real-valued tap to align two filter-output phasors is the AC bridge’s defining trick: balance gives a frequency-independent component relation ( for slider ratio ), while the residual slope of the resulting line encodes the driving frequency, and the on-screen -extent of that line is .